LSFF

Two music videos that caught my eye at the recent London Short Film Festival were House by Cool Fun from director Prano Bailey-Bond featuring beautifully eerie cinematography by BAFTA winning DoP Annika Summerson

and also The Marching Song by Esben and the Witch directed by Peter King and David Procter

Great work!!! Inspirational, original and arresting imagery in motion.

Cinematography ShowReel 2012

Cinematography ShowReel so far….for me it’s an ongoing, always evolving and ever inspiring work in progress.
Here’s the first 100 seconds…..

music by Devendra Banhart

John Hicks – Cinematography ShowReel from John Hicks on Vimeo.

London Short Film Festival 2012

Huge Thanks to London Short Film Festival for selecting to screen
The Hardest Fight at what The Guardian describes as
‘The Best Short Film Festival in the World’ during Festival Week 6-15th January. 2012 – it really means a lot!!!!
Showing as part of the New Shorts #12 Night of the Living Docs the ever-popular documentary marathon returns to the Roxy Bar & Screen at 18.30 on January 10th, 2012 with a double bill of the very best in short documentary.
The Hardest Fight was the first short film I ever made and I’d be lying if I didn’t admit that, at the time, I didn’t really have a clue what I was doing – just a desire to do it.
I feel truly honoured to be included in the selection and look forward to being there on the night.

Dark Days

Dark Days is an inspiring documentary by Marc Singer about a group of homeless people living in abandoned subway tunnels under the beating heart of New York City.
Apart from the vagabond vagrants whose stories are told in shocking detail throughout I’m inspired by the fact that, before he made this film, Singer had never even picked up a camera – much less knew how to use one.
Driven simply by the desire to highlight their plight and move them up the housing ladder, Singer originally intended to shoot on Super 8 but was persuaded to rent a 16mm camera instead.
He planned to shoot for a week but two and a half years later he still had free use of the camera and when he ran out of film Kodak supplied damaged stock, at no cost, for the continuation of the project.
The film’s crew consisted of the subjects themselves, who rigged up makeshift lighting by tapping into the mains supply and improvised steadicam dollies for tracking shots from supermarket shopping trollies.
Dark Days is an amazing collaboration which proves that the most important aspect of film making is integrity, a genuine belief and passion for what you’re doing. and, as Singer himself says, ‘not to be afraid to fail’.
In today’s crazy celebrity driven world where endorsement of equipment is often more important than the actual content of the movie, I found this this film both thought provoking and enlightening.